Preamplifying, interfacing and monitoring via USB, S/P-DIF, Analog XLR, RCA, 1/4 and mini Jacks Professional sound at an incredible price. SPL Crimson combines a USB interface with high-quality preamps and a separate, fully-featured monitor controller. You can play and play back, record and convert, control and listen with one single device. So all you essentially need for a truly professional recording setup is the Crimson and a DAW. Special Features Max. six recording and six playback channels 10 source connections, 20 monitoring channels 34V operational voltage for pro levels up to +22 dBu Two discrete mic preamplifiers Two instrument preamplifiers (Hi-Z, +22 dBu) Two separate headphones amps Connect and control two stereo speaker sets Monitor mix from recording and DAW return paths Individual artist monitoring signal, with talkback Hi-Speed USB 2.0 (480MBit/s), MIDI I/O, S/P-DIF I/O 24Bit/192kHz converter Made in Germany With or without DAW Crimson is designed to operate with your Digital Audio Workstation. But you can also do a lot with it as a stand-alone device: plug in an instrument and play. Connect a microphone and sing along. Mix your own monitor signal with playback or guide tracks from any source ? including your smartphone. What you are playing is not bad? Turn on the DAW and record it.
Special Features
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Max. six recording and six playback channels
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10 source connections, 20 monitoring channels
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34V operational voltage for pro levels up to +22 dBu
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Two discrete mic preamplifiers
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Two instrument preamplifiers (Hi-Z, +22 dBu)
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Two separate headphones amps
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Connect and control two stereo speaker sets
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Monitor mix from recording and DAW return paths
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Individual artist monitoring signal, with talkback option
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Hot-plugging iPad recording/monitoring (Class 2 compliance)
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Hi-Speed USB 2.0 (480MBit/s), MIDI I/O, SPDIF I/O
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WIN XP, Vista, 7 and 8 (32/64 Bit), MAC OSX 10.4/higher, iOS 6/higher
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Driver for MAC OSX Mavericks
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24Bit/192kHz converter
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HxWxD: 60x330x207 mm
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Made in Germany
With or without DAW
Crimson is designed to operate with your Digital Audio Workstation. But you can also do a lot with it as a stand-alone device: plug in an instrument and play. Connect a microphone and sing along.
Mix your own monitor signal with playback or guide tracks from any source – including your smartphone. What you are playing is not bad? Turn on the DAW and record it.
A new concept with phenomenal value
At SPL we design audio equipment in all price ranges – except cheap gear. Therefore each SPL unit provides professional quality. The Crimson leaps forward and sets a new sound quality benchmark in its price range: We have re-designed proven circuitries and created a new, fully integrated design. Together with new production methods we are able to break through usual price limits.
So with the Crimson interface and controller you have a boutique standard recording and monitoring device at a fraction of the price we used to know from traditional engineering and manufacturing.
- Input Sockets
- Mic Inputs 1 -2: XLR
- Line Inputs 1–4: 6,3mm TRS
- Instrument Inputs 3–4: 6,3mm TRS
- Source 1 Input: 6,3mm TRS
- Source 2 Input: RCA
- Source 3 Input: 3,5mm TRS
- Midi Input: DIN (5 pins)
- SPDIF Input: RCA
- Output Sockets
- Speaker A Output: XLR
- Speaker B Output: 6,3mm TRS
- Midi Output: DIN (5 pins)
- SPDIF Output: RCA
- Headphone Outputs: 6,3mm TRS
- Input Impedances
- Microphone Input: 10 kOhm
- Line Inputs: 10kOhm unbalanced, 20kOhm balanced
- Instrument Inputs: 1,1 Mohm
- Source 1 Input: 10kOhm unbalanced, 20kOhm balanced
- Source 2 Input: 10kOhm
- Source 3 Input: 10kOhm
- SPDIF Input: 75 Ohm
- Output Impedances
- Speaker A Output: 75 Ohm unbalanced, 150 Ohm balanced
- Speaker B Output: 75 Ohm unbalanced, 150 Ohm balanced
- Headphone Outputs: 33 Ohm
- Maximum Input Levels
- Mic Inputs: +14,5 dBu (Gain fully left)
- Line Inputs: +22,5 dBu
- Instrument Inputs: +24,0 dBu (Gain fully left)
- Source 1 Input: +22,5 dBu
- Source 2 Input: +22,5 dBu
- Source 3 Input: +22,5 dBu
- Maximum Output Levels
- Speaker A Output: +22,5 dBu
- Speaker B Output: +22,5 dBu
- Mic Preamplifier (balanced, XLR)
- Gain Control: +8dB - +60dB
- Frequency Response: 10Hz - >200kHz
- Noise (unweighted, 30dB gain, input termination 150 Ohm): -90 dBu
- Equivalent Input Noise: -128 dBu
- Common Mode Rejection Ratio: < -70 dBu
- THD+N Ratio@1kHz (30dB gain, input termination 150 Ohm): 0,003 %
- High Pass Filter: fg = 80Hz, 6dB/Oct.
- Phantom Power: 48Volt
- Instrument Input (unbalanced, 6,3mm TRS)
- Gain Control: -6dB - +31dB
- Frequency Response: 10Hz - >200kHz
- Noise (unweighted, unity gain, input termination 100 kOhm): -85 dBu
- THD+N Ratio@1kHz (unity gain, input termination 100 kOhm): 0,005 %
- Line Input (balanced, 6,3mm TRS)
- Frequency Response: 10Hz - >200kHz
- Noise (unweighted, unity gain, input termination 600 Ohm): -95 dBu
- Common Mode Rejection ratio: < -60 dBu
- THD+N Ratio@1kHz (unity gain, input termination 600 Ohm): 0,002 %
- Source 1 Input (balanced, 6,3mm TRS)
- Frequency Response: 10Hz - >200kHz
- Noise (unweighted, unity gain, input termination 600 Ohm): -95 dBu
- Common Mode Rejection ratio: < -60 dBu
- THD+N Ratio@1kHz (unity gain, input termination 600 Ohm): 0,002%
- Source 2 Input (unbalanced, RCA)
- Frequency Response: 10Hz - >200kHz
- Noise (unweighted, unity gain, input termination 600 Ohm): -90 dBu
- Noise (unweighted, -10dBV, input termination 600 Ohm): -85 dBu
- THD+N Ratio@1kHz (unity gain, input termination 600 Ohm): 0,003 %
- THD+N Ratio@1kHz (-10dBV, input termination 600 Ohm): 0,003 %
- Source 3 Input (unbalanced, 3,5mm TRS)
- Frequency Response: 10Hz - >200kHz
- Noise (unweighted, unity gain, input termination 600 Ohm): -88 dBu
- Noise (unweighted, +15dB gain, input termination 600 Ohm): -76 dBu
- THD+N Ratio@1kHz (unity gain, input termination 600 Ohm): 0,003 %
- THD+N Ratio@1kHz (+15dB gain, input termination 600 Ohm): 0,005 %
- Headphone Outputs (stereo, 6,3mm TRS)
- Frequency Response: 10Hz - >200kHz
- Power@0dBu: 47 Ohm load: 13 mW/300 Ohm load: 1,7 mW/600 Ohm load: 1,0 mW
- Power max: 47 Ohm load: 670 mW/300 Ohm load: 265 mW/600 Ohm load: 150 mW
- THD+N Ratio@1kHz (Power@0dBu): 47 Ohm: 0,0026 %/300 Ohm: 0,002 %/600 Ohm: 0,002 %
- AD Conversion
- Sample Rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz
- Dynamic range converter chip (manufacturer's specification): 115 dB
- Dynamic range measured via Line Input > AD Converter > DAW > SPDIF Output:
- 44.1kHz: 110dB (unweighted)
- 48kHz: 110dB (unweighted)
- 96kHz: 107dB (unweighted)
- THD+N ratio @ 1kHz (-1dBFS):
- 44.1kHz: 0,01 %
- 48kHz: 0,01 %
- 96kHz: 0,01 %
- 0dBFS = +15 dBu
- DA Conversion
- Dynamic range converter chip (manufacturer's specification): 115 dB
- Dynamic range measured via SPDIF Input > DAW > DA Converter > Speaker Output:
- 44,1kHz: 106dB (unweighted)
- 48kHz: 106dB (unweighted)
- 96kHz: 104dB (unweighted)
- THD+N ratio @ 1kHz (-1dBFS):
- 44,1kHz: 0,006 %
- 48kHz: 0,006 %
- 96kHz: 0,007 %
- Power Consumption
- Power Supply
- External Power Supply, Input 100–240V AC/50–60 Hz; Output 12V DC/1,5A
- Internal Power Supplies: Audio: +/-17V, Digital: +5V and +3,3V
- Dimensions and Weight
- Housing (H x W x D in mm): 60x330x207 (BxT=bottom panel w/o sockets, H w/o controls)
- Weight: 2,7 kg
- Notes: 0dBu = 0,775 V. Specifications are subject to change without notice.